The standard repertoire of classical song recitals for female singers consists of such pieces as Schumann’s “Frauenliebeund Leben”or Shoenberg’s” Das Buch der Hängede Gärten, Op. 15. The musical language and the thematics of the works are reflecting the realities of the times. The female voice is expressing her emotions in a way that is envisioned from one perspective.
How differently would emotions, topics and lyrics be reflected in the form of modern recital song? I would like to take on this challenge in putting the outmost importance in authenticity and contemporaneity of the message in the song recital form of our times.
The text of the songs is inspired by clandestine writings of Afghani Women.