Dorota Kozińska describes her impressions from her visit to the dress rehearsal and the premiere in Brussels:  "I entered this space in the dark, surrounded by the music of Glowicka: minimalistic, hazy, but at the same time bursting with underlying emotion. A moment later, from the sounds of string quartet and live electronics, human voices emerged – the register-wandering voice of Lucia Lucas and the poignant scream of dancer Gala Moody. All good and bad memories from Afghanistan crossed my mind. The trauma was back. My doubts were gone. I knew already that the next day I will come face to face

Kasia Głowicka Featured in Vogue December 2024 Edition (PL). I’m thrilled to share that I’ve been featured in the December 2024 issue of Vogue! The article dives into my involvement in the production of Mahagonny—a modern interpretation of Kurt Weill and Bertolt Brecht's Rise and Fall of the City of Mahagonny. This captivating opera combines timeless themes of desire, loss, and societal collapse, resonating deeply with contemporary issues. Under the direction of Krystian Lada, we explored a fresh and bold approach, merging music, drama, and visual storytelling to reflect today's turbulent world. The production is a powerful dialogue between past and present, brought

Thrilled to share yet another review of "Unknown, I live with you" by German online magazine Rattlermag: "Polish composer Kasia Głowicka explores the junctions between extended techniques of operatic voice and the dramatic potential of live electronics. The emotionality of the folk-inspired melodies meets minimalism of form. It expresses the harshness of the living circumstances of the Afghani writers but as well the power of the female voice striving for emancipation. Sung by a collective of three singers who represent different visions of female/ male dynamics and potential of the human voice. Three strong women create the cast of the performance: the

Dwójka - Program 2 Polskiego Radia not once, but twice!  First, they slipped a few tracks from my latest album into the Nokturn show on the 5th of October. Then, they went all-in on the "Nowa Polska" show on 26th of October, dedicating a whole evening to my creations.

Natalie Gils interviewed me on the occasion of receiving the Comenius Senior Fellowship. I am thrilled to share exciting news about the progress of the Lectoraat Authentic Leadership at InHolland, where I am privileged to collaborate on innovative projects that explore the intersections of creativity, leadership, and education. Recently, I received Comenius Senior Fellowship and the VIS (Virtual Internationalizational Sammenwerking) subsidy. These grants represent a significant step forward in promoting innovative and impactful approaches to leadership education and cross-cultural collaboration. As part of this initiative, I am contributing to the development of projects that integrate arts-based methods, immersive technologies, and personal development strategies. These

Complex, yet accessible - Interview with Ewa Szczecińska at "Ruch Muzyczny". "Supposedly I have a GIFT to compose a melody. Why should I not use it? I like beautiful melodies a lot and I think the audience does not admit it too, but sometimes they DON'T admit it. " photo: Merlijn Doomernik

Kasia on the cover of the May issue of the leading Polish Music Magazine "Ruch Muzyzny" (Music Movement) Ruch Muzyczny | Issue 9, 2021 | [/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]

Insightful article on renowned artforum about the Exhibiton "“Audiosphere: Social Experimental Audio, Pre- and Post-Internet”; where my piece "I thought it was dream, but when I woke up I couldn't walk" is part of. Here you can read the whole review.

Renowned Dutch critic Els van Swol takes on Lilian in her series "Culture plug" (De cultuurstekker )at 8weekly.nl LILIAN is a counterpart to film Notturno - a powerful documentary by Gianfranco Rosi. "The radio play lasts a little over twenty-four minutes, but life, survival, continues. Twenty-four hours a day." With thanks to Miriam van Reisen. https://8weekly.nl/special/de-cultuurstekker-3/

In her series "De cultuurstekker" (the culture plug) Els van Swol reviews "Lilian" at 8weekly magazine with great words: "The radio play lasts a little over twenty-four minutes, but life, survival, continues. Twenty-four hours a day. Yet hope remains alive, like the impending day in Notturno. Hope for a cure, for survival, for contact, for people who sympathize and want to vouch for each other. That keeps people going. " Below fragments in original Dutch: Het hoorspel van Kasia Głowicka begint met piepjes. Het is het geluid van een sms’je dat een Eritrese man, Tesfay, die in Libië gevangen zit in het Zitan Detention Centre, stuurt

Polina Lyapustina calls "Lilian" "

Michael Hasted from ArtsTalk Magazine talks to me (@16.02 mins)about my work and about the radio play LILIAN.  https://soundcloud.com/artstalkradio-holland/we-talk-to-composer-kasia-glovicka-and-to-comedian-greg-shapiro-about-his-new-book Transcript of the talk: LILIAN, the debut radio play from award-winning composer Kasia Głowicka, who lives in The Hague, will have its Dutch premiere on ArtsTalk Radio at the beginning of January. Based on a true story and using real WhatsApp message transcripts as its source material, LILIAN takes us into the lives of a refugee trapped in the notorious Zitan Detention Centre in Libya and the human rights professor who is trying to aid him from her home in Europe. The source material for this play is an

Honoured to receive investment grant for music "Investeringsfonds Muziek" of BUMA/STEMRA. The grant is intended for the development of new music and new exploitation of existing music. I will be working on releasing music written for several theater works and some new pieces in a joined release "Vacationing Heart."It is best described as melancholic piano music. Good for a rainy, gloomy pandemic time. http://ow.ly/rI2c50CGEVh

Composer Kasia Głowicka’s music responds to this (

Broadway World features the award-winning composer, Kasia Głowicka's radioplay drama entitled, "LILIAN." This new radio play which was premiered last Friday, September 18 as part of the annual Warsaw Autumn cultural festival was based on a true story. Lilian was based on real events documented in a 350-page transcript of WhatsApp conversations between a European professor of human rights and a refugee in Libya. To know more about the publication, you may click this.

The Theatre Times reviewed "LILIAN," a radioplay drama by an award-winning composer Głowicka. This was based on a true story using real WhatsApp message transcripts as its source material. It takes us into the lives of a refugee trapped in the notorious Zitan Detention Centre and the human rights professor who is trying to aid him from her home in Europe. To read the interview, you may click this.

Polish edition of Vogue on "Unknown, I live with you"

Preparations for the Polish premiere of "Unknown, I live with you" are on the way. The installation will have to be adapted to unique challenges of "Krikoteka" Theater. The performance will take part during Cracow festival "Sacrum Profanum". Polish edition of "Vogue" Magazine and "Gazeta Wyborcza" have been encouraging its readers to check it out, while "Dwutygodnik" magazine published an exclusive article with Kasia about the mission of "The Airport Society" and the aims of the performance.   

Polish Magazine Dwutygodnik - interview and article on work of  Glowicka. Kompozytorka z misją | Muzyka | Dwutygodnik | Dwutygodnik "Composer with mission" Wioleta Zochowska Fragment in Polish: WIOLETA ŻOCHOWSKA Projekty sceniczne Katarzyny Głowickiej wpisują się w coraz wyraźniejszą we współczesnej operze tendencję do tworzenia dzieł zaangażowanych społecznie N ajnowsza opera Katarzyny Głowickiej i Krystiana Lady „Unknown I Live With You” na pierwszy rzut oka wygląda dość skromnie. Rozgrywa się w półmroku i praktycznie pozbawiona jest scenografii oraz partii orkiestry. Ale też sprawdzonych rozwiązań, do których ostatnio przyzwyczajają nas twórcy sceniczno-muzyczni. To właściwie opera-instalacja, jak poprawia mnie podczas telefonicznej rozmowy kompozytorka. Pewne jest natomiast jedno: „Unknown I Live With

"Unknown I live with you" ranked best of 2018/2019 season in the music theater category by Polish "Teatr" magazine http://www.teatr-pismo.pl/…/najlepszy,_najlepsza,_naj…/2019/