opera installation

Unknown, I live with you

Unknown, I Live With You is an innovative opera installation inspired by the powerful poetry of contemporary Afghan female writers. Conceived by Polish stage director Krystian Lada, this project blends the dramatic intensity of opera with the urgency of socially engaged art in an immersive format. The premier was set within the architecture of Brussels’ former chapel, Les Brigittines, the performance features opera singers, dancers, a string quartet, and live electronics, creating a multi-sensory experience.

TEXT
In Taliban-controlled Afghanistan, writing and any form of musical expression have often been criminalized. This project centers on the poems of three Afghan women—Roya, Meena Z., Fattemah AH, and Freshta—participants in the Afghan Women’s Writing Project (AWWP). Founded in 2009, AWWP empowers Afghan women to tell their own stories, offering a platform for unfiltered voices to be heard globally, beyond the restrictions imposed by family or media. Often written in secrecy, these raw, courageous poems depict the struggles and resilience of women living under oppressive conditions. They tell a universal story of the female voice striving for freedom in a patriarchal society.

MUSIC
Composed by Katarzyna Głowicka, the music of Unknown, I Live With You explores the intersection of extended operatic vocal techniques and the expressive power of live electronics. Folk-inspired melodies intertwine with minimalist structures, reflecting both the harsh realities faced by Afghan women and the resilient spirit of the female voice in search of emancipation. Three formidable singers bring this music to life: Polish opera diva Małgorzata Walewska, American rising star Raehann Bryce-Davis, and renowned transgender opera singer Lucia Lucas. These soloists are accompanied by a string quartet under the musical direction of pianist and vocal coach Pedro Beriso of the Flemish Opera.

INSTALLATION
This immersive performance invites the audience to share the space with the performers, moving freely through the set as the action unfolds. Structured in repeating loops, the multi-hour performance allows viewers to experience the work from different perspectives, blurring the line between observer and participant.

Polish feminist Agata Araszkiewicz, co-founder of the feminist association of Polish women in Belgium, has contributed an essay on Unknown, I Live With You, exploring themes of opera, gender, and resistance. Read her reflections on the project here.

YEAR:
DIRECTOR:
Music:

Kasia Głowicka

Text:

Freshta, adapted by Kasia Głowicka,

based on clandestine writings of Afghan women

Original performers:

soprano – Raehann Bryce-Davis

mezzo soprano – Malgorzata Walewska

alto/baritone – Lucia Lucas

alto – Sara Jo Benoot

violin – Tomasz Aleksander Plusa

violin – Aleksandra Kwiatkowska 

viola – Clara Sawada 

cello – Natania Hoffman 

electronics – Kasia Głowicka

dancer – Gala Moody

music director – Pedro Beriso

INSTRUMENTS:
Duration:

4 female voices, string quartet, electronics

60′-120′

Publisher:
Label:

press

“profound experience” Kozińska on “Unknown, I live with you”

Dorota Kozińska describes her impressions from her visit to the dress rehearsal and the premiere in Brussels:  “I entered this space in the dark, surrounded by the music of Glowicka: minimalistic, hazy, but at the same time bursting with underlying emotion. A moment later, from the sounds of string quartet and live electronics, human voices emerged – the register-wandering voice of Lucia Lucas and the poignant scream of dancer Gala Moody. All good and bad memories from Afghanistan crossed my mind. The trauma was back. My doubts were gone. I knew already that the next day I will come face to

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Review “Unknown, I live with you”

Thrilled to share yet another review of “Unknown, I live with you” by German online magazine Rattlermag: “Polish composer Kasia Głowicka explores the junctions between extended techniques of operatic voice and the dramatic potential of live electronics. The emotionality of the folk-inspired melodies meets minimalism of form. It expresses the harshness of the living circumstances of the Afghani writers but as well the power of the female voice striving for emancipation. Sung by a collective of three singers who represent different visions of female/ male dynamics and potential of the human voice. Three strong women create the cast of the performance:

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“reshapes operatic experience” Araszkiewicz on “Unknown, I live with you”

Composer Kasia Głowicka’s music responds to this (…) perfectly: it is designed to express the monotony of oppression and the explosive moments of revolt. The sounds of the string quartet and live electronics interact through unsettling contradiction, playing out the story of abuse and vulnerability. In doing so, they push their performance towards a hymn that surprises with the tenderness and intimacy of the experience of fighting violence. “Unknown, I Live with You,” divided, fragmented, and perhaps with something killed inside me. However, my experience will always remain in you. It is uniquely carried by the statuesque and emotional voice of

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Women create opera – discussion and concert at Poznan Grand Theater

On Saturday 18 February at. 16:00 at the Grand Theatre in Poznan, UNITED STATES OF OPERA foundation, invites for an extraordinary meeting – “WOMEN CREATE OPERA”. Among the guests Katarina Głowicka, Marzena Diakun and Elżbieta Sikora and . During the meeting soprano Joanna Freszel will present selection of contemporary pieces. The talk will be led by Monika Pasiecznik and Krystian Lada. United States Opera is a new series of meetings with the public devoted to the current state of Polish opera stage. Before each launch of the Opera House in Poznan, excellent artists, journalists, scientists and invite the audience to discuss

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