radio play

Kasia Głowicka – music, text, dramaturgy.

Hilary Beaton – Lilian

Mark Bishop – Tesfay

Ian Cullen – Lilian’s husband

Kasia Głowicka – nurse


with thanks to professor Mirjam van Reisen.



Based on real events, Lilian is a story of hope and humanity in a harsh world



Based on a true story, Lilian is a radio play written, directed and composed by Kasia Głowicka. It draws on real events documented in a 350-page transcript of WhatsApp conversations between a European professor of human rights and a refugee in Libya.

Worlds apart in geography and culture, the two protagonists are brought together by technology. Their shared journey takes them through dark times punctuated by moments of humor before ultimately proving why hope should never be abandoned.

In early 2019, the European Union withdrew its rescue ships from the Mediterranean just as the civil war in Libya escalated. As Libya burned and the sea became too threatening, refugees found themselves stranded in makeshift detention centres.

Held in the infamous Zitan Detention Centre, from which the source messages were first sent, the young Tesfay obtains a phone number for a human rights professor in Europe and contacts her to appeal for assistance.  

The eponymous Lilian does all that she can from her home in Brussels, but the bureaucratic process is slow. Her mind is also occupied with worries about her daughter, who is comatose in hospital and attached to a life-support machine. 

“The refugee crisis is one of today’s most critical issues, but the themes it presents are eternal and universal: hope, justice, human fraternity. Technology brings the characters together but their bond is completely human,” says Głowicka.

“Creating my first-ever radio play was a challenge, especially because it’s the first time anyone has adapted an archive of WhatsApp messages into a production. I also wanted to maintain authenticity, so I worked remotely with a voice actor in Africa to play Tesfay.

“Poland is a fitting location for this premiere. The play raises exactly the kind of social issues that the right-wing PiS (Prawo i Sprawiedliwość) government has been trying to censor. It’s brave of the Warsaw Autumn Festival to present this play in such a climate.”

Lilian was premiered on two independent Polish radio stations, Radio Kapitał and Radio Jesień, on September 24th, 2020.


"What makes the music of Kasia Głowicka special? First of all space. Deep and extensive (…) Seasoned composer – the clear intentions and the feeling for ‘big form’."

Jan Topolski

Musica 21 Magazine

"exacting musical intelligence"

Bernard Clarke

RTE National Radio, Ireland

"brilliant media artists”…”wisely explore the stylistical choke points of a possible junction between classical music, ambient and minimalism"

Vito Camarretta

"her powerful Kyrie made me fight to maintain my composure. (…) I had never heard great new Polish music in Poland before, and I was deeply deeply moved by that experience."

William Anderson

"Her music was praised for its powerful sense of theatre. …excellent music."

Genesis Foundation

"Complex, yet accessible. Very powerful music"

Fuell Theater