For Land Ally, I propose to create an immersive sonic landscape where music, environmental sound, and human voices merge into one organic flow. 

Musical Language

• Textural focus: The music will be built on evolving layers of sound, more atmospheric than melodic, allowing space for voices and environment.

• Integration with field recordings:  natural field recordings (wind, water, soil resonance, weather shifts) in a dialog with composed textures (voice, strings, percussion, guitars), 

• Seasonal changes: The score will reflect the progression of time, with shifts in density, tone, and texture following the changing seasons and cycles of the PFAS going thru soil and water.

• Environmental resonance:  I will amplify and filter (various reverbs) subtle sounds (e.g. water droplets, air currents, soil vibrations), integrating them into compositional elements.

Sound Materials:
A palette of the sounds (prototype) is to be heard here:

• Air/Wind: atmospheric movement, breath-like textures.

• Rain/Streams: fluid rhythmic patterns, droplets as percussive elements.

• Ground/Soil: resonant, earthy layers evoking depth and sediment.

• Underwater: filtered, immersive sound beds with shifting resonance.

• Changing Weather: gradual transformations in tone, from calm to turbulent.

The palette is organised from top (atmosphere) to bottom (under water) and will be transformed as the film progresses thru the time.